| This is an archived issue of Belletrista. If you are looking for the current issue, you can find it here |
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US author Sigrid Nunez discusses her new novel with Joyce Nickel
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TRIO: Three remarkable works by Kamila Shamsie by Caitlin Fehir
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Belletrista turns one! A brief retrospective and a look ahead
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Reviews
Click on 'Reviews' to see the full list of this issue's reviews...
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THE WRITING ON MY FOREHEAD
Nafisa Hajji
This pleasantly engaging debut is about family, tradition, stories and following one's heart. Saira Qader has grown up in LA with her traditional Indo-Pak parents. Though her older sister, Ameena, has always been virtuous and obedient, Saira has a rebellious streak.
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Reviewed by Akeela Gaibie-Dawood
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HORSE, FLOWER, BIRD
Kate Bernheimer
If you think that Twilight was the best book since The Da Vinci Code, then Horse, Flower, Bird is probably not the book for you. But if you're the sort of person who enjoys listening to curious music on late night FM radio, prefers films that were not made in Hollywood to those that were, and likes to drive different routes home just because …
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Reviewed by Joyce Nickel
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2017: A NOVEL
Olga Slavnikova
Translated from the Russian by Marian Schwartz
If Olga Slavnikova's novel, 2017, is any indication, the near-future of post-Soviet Russia—and the world in general—looks pretty grim on a variety of fronts, in large part because people of the techno-boom have lost touch with their own history and culture.
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Reviewed by Jean Raber
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BEFORE YOU SUFFOCATE YOUR OWN FOOL SELF: STORIES
Danielle Evans
Danielle Evans is a young writer. I'm guessing 25, give or take. She's also African American. But I don't say this because I've met her or googled her. It's because her new short story collection, Before You Suffocate Your Own Fool Self, speaks so honestly and so knowledgeably from those perspectives.
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Reviewed by Kathleen Ambrogi
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LIMESTONE
Fiona Farrell
Although the latest novel by award winning New Zealand writer Fiona Farrell seems slight and fairly unassuming in appearance, within its pages Farrell dwells on the "big" issues—why are we here, who made us, what are we and where are we going.
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Reviewed by Dorothy Vinicombe
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